fbpx
星期六, 11 月 16, 2024

Art exhibition explores the universal

Among the Flowers Art Collective members showcasing their work in Howick are, from left, Agnès Desombiaux Sigley, Marion Gordon-Flower, Justin Sobion, Jasmine Hope, and Penny Otto. Times photo Wayne Martin

An art exhibition in east Auckland will feature works exploring subjects as diverse as familial bonds, the rewriting of stories told through photographs, the uprising of artists challenged by Covid-19 and the horror of the Ukraine War.

The exhibition is entitled Perspectives: Te Tai Ao Notions of the Universal and opens at Uxbridge Arts and Culture in Howick on February 9.

Uxbridge visual arts programme co-ordinator Ashleigh King says: “The exhibition features the work of the Flowers Art Collective, 11 artists of diverse ethnicity and viewpoints, brought together by a common interest in the challenge of bringing the illusive into tangibility.

“Each has a unique perspective of what the universal might mean and at the same time commonalities are there to be discovered and interpreted by the viewing audience.

“The show is full of media variety in contemporary painting, photography and in illuminations which use internal lighting.”

Among the members of the Flowers Art Collective taking part in the showcase are Agnès Desombiaux Sigley, Marion Gordon-Flower, Justin Sobion, Jasmine Hope and Penny Otto.

Hope’s work uses acrylic and mixed media and she says it’s her first work on a circular canvas.

“I connected to the concept of the universal and the vision I had for my work was to represent the cyclic nature of the Earth.

“I used vibrant greens and Earth tones in the work to represent the purity of nature and of mother Earth.”

Hope says her aim is for people who view her work to feel connected to “divine energy”.

“I want people to reconnect to nature and the gifts that it gives us, the nurturing quality that Papatuanuku [Earth Mother] has.”

Otto’s contribution is 12 works on paper which she says are explorations of primary colours with some experimental line drawing thrown in.

“They were done blind, meaning I was looking at the subject – the flowers – and not at the work.

“Because of that there are obvious breaks in the work as the ink has run out on my knitting needle or my pen and I haven’t seen it happen.”

Desombiaux Sigley is entering five photographic works printed on fine-art textured paper.

Her approach uses intentional movement in the creation of the image.

“The theory is reverie or amusing and my sense of belonging, to finding your sense of place in New Zealand, but also these pieces connect me to where I come from, [being] France.

“The movement is a physical movement but it’s also emotionally moving.

“Being moved by the land, the landscape, and connecting to my own emotion and needs.”

Gordon-Flower’s works are hexagonal and grew through the Covid-19 pandemic when artists suffered limitations as to the types of materials they could access and work with.

“The four pieces are [representing] Earth, water, air and fire.

“It relates to long ago, to the Egyptians and their sciences, going back to astrology and how they had these personality types worked out.”

One of Sobion’s two paintings in the show depicts well-known Barbadian singer Rihanna.

He describes it as “kind of seductive” and says she’s from the Caribbean, as he is.

“I looked at the theme of the exhibition, of perspective and universality.

“She’s known for her tattoos and one of them is of Egyptian hieroglyphics, so even though she’s from the Caribbean you can be interested in those things.

“When you talk about universality you think about planets and we are part of the universe and the Earth and we have different communities.”

The exhibition is in the Malcolm Smith Gallery at Uxbridge Arts and Culture, 35 Uxbridge Road, Howick.

Its opening night is from 6.30pm-9.00pm on Thursday, February 9 and it’s on until March 11.

By clicking to accept for Times Online to be translated into Mandarin, you accept and acknowledge that it has been translated for your convenience using 3 rd party translation software. No automated translation is perfect, nor is it intended to replace human translators and are provided "as is." No warranty of any kind, either expressed or implied, is made as to the accuracy, reliability, or correctness of any translations made from English into Mandarin. Some content (such as images, videos etc.) may not be accurately translated due to the limitations of the translation software. The official text is the English version of the website. Any discrepancies or differences created in the translation are not binding and have no legal effect and should not be relied on by you for any decision-making purposes. If any questions arise related to the accuracy of the information contained in the translated website, refer to the English version of the website which is the official edited version.

点击同意将《时代在线》翻译成中文,即表示您接受并确认,该翻译是使用第三方软件为您方便起见而 提供的。请注意自动翻译并非完美无缺,也不旨在取代人工翻译,只能作为参考而已。对于英文到中文 的任何翻译的准确性、可靠性或正确性,我们不提供任何明示或暗示的保证。由于翻译软件的限制,某 些内容(如图片、视频等)可能无法准确翻译。   英文版本是本网站的官方正式文本。翻译中产生的任何差异或错误均不具有约束力,不具有法律效力, 您不应依赖由自动翻译软件生成的版本做出任何决策。如果对翻译后的网站中包含的信息的准确性有任 何疑问,请参阅本网站的官方编辑英文版本。

- 广告
- 广告

更多信息来自《泰晤士报在线

- 广告

最新

- 广告
- 广告